I'll be adding to this gallery as and when I find further suitable examples, so do check back regularly for updates (although I will be posting reminders on the main blog when I update). The jackets – which are all, unless otherwise stated, from the British first edition of each book – are arranged alphabetically by designer (unless the designer is unknown, in which case they're grouped at the bottom of the page; do please leave a comment if you have any information on those ones), with links to whatever (if anything) I've written or found out about that particular title or author or cover artist – including, in many cases, full wrappers and back covers. Oh, and should you stumble upon this page in an image search and decide to 'borrow' a cover or two for whatever purpose, by all means do (within reason: don't take the whole blummin' lot), but please link back to the page and to Existential Ennui. Since I went to the trouble of photographing the covers, researching them and assembling the gallery, I figure it's the least you can do.
This, then, is Existential Ennui's Beautiful British Book Jacket Design of the 1950s and 1960s. Enjoy.
Existential Ennui's companion pages:
Patricia Highsmith First Edition Book Cover Gallery
British Thriller Book Cover Design of the 1970s and 1980s
. . . . . . . . . .
. . . . . . . . . .
Eric Ayers
The John Wyndham Omnibus by John Wyndham (Michael Joseph, 1964)
. . . . . . . . . .
Cecil Walter Bacon
The Little Sister by Raymond Chandler (Hamish Hamilton, 1949)
Cold Waters by P. M. Hubbard (Geoffrey Bles, 1970)
. . . . . . . . . .
John Bance
The Cry of the Owl by Patricia Highsmith (Heinemann, 1963)
The Two Faces of January by Patricia Highsmith (Heinemann, 1964)
. . . . . . . . . .
Margaret Benyon
The Red and the Green by Iris Murdoch (Chatto & Windus, 1965); cover courtesy Rachel Day
. . . . . . . . . .
Val Biro
Secret Ministry by Desmond Cory (Frederick Muller, 1951)
A Time to Kill by Geoffrey Household (Michael Joseph, 1952)
A Time to Kill by Geoffrey Household (Michael Joseph, 1952)
Requiem for a Wren by Nevil Shute (Heinemann, 1955)
The Big Pick-Up by Elleston Trevor (Heinemann, 1955)
A Dread of Burning by Rosemary Timperley (James Barrie, 1956); image courtesy Mike Ripley
The Dragon Tree by Victor Canning (Hodder & Stoughton, 1958)
The Burning Eye by Victor Canning (Hodder & Stoughton, 1960)
Act of Mercy by Francis Clifford (Hamish Hamilton, 1959), original dust jacket roughs
A Delivery of Furies by Victor Canning (Hodder & Stoughton, 1961)
I Would Rather Stay Poor by James Hadley Chase (Robert Hale, 1962), plus original dust jacket roughs
. . . . . . . . . .
Bernard Blatch
The Quest by Frederick Karl (Heinemann, 1961)
Xenophon's Adventure by Geoffrey Household (The Bodley Head, 1961)
. . . . . . . . . .
S. R. Boldero
Pilgrim at the Gate by Desmond Cory (Shakespeare Head, 1958)
Johnny Goes South by Desmond Cory (Frederick Muller, 1959)
Kinds of Love, Kinds of Death by Tucker Coe, alias Donald E. Westlake (Souvenir Press, 1967)
Murder Among Children by Tucker Coe, alias Donald E. Westlake (Souvenir Press, 1968)
. . . . . . . . . .
Stuart Boyle
Peril for the Guy by John Kennett (Brockhampton Press, 1955)
. . . . . . . . . .
Oliver Brabbins
Danger in the Dark by Patricia Carlon (Ward Lock, 1962)
. . . . . . . . . .
Alan Breese
Catseye by Andre Norton (Gollancz, 1962)
. . . . . . . . . .
H. Bridgeman Grimley
The Holm Oaks by P. M. Hubbard (Michael Joseph, 1965)
. . . . . . . . . .
James Broom-Lynne
A Dance to the Music of Time by Anthony Powell (Heinemann, 1962)
. . . . . . . . . .
Graham Byfield
Anna Highbury by P. M. Hubbard (Cassell, 1963)
. . . . . . . . . .
Peter Calcott
The Naked Runner by Francis Clifford (Hodder & Stoughton, 1966)
. . . . . . . . . .
Chambers (First Name Unknown)
Johnny Goes North by Desmond Cory (Frederick Muller, 1956)
. . . . . . . . . .
Patricia Davey
The Mission by Ferreira de Castro (Hamish Hamilton, 1963)
. . . . . . . . . .
Michael Dempsey
The Damsel by Richard Stark, alias Donald E. Westlake (Hodder & Stoughton, 1968)
The Tremor of Forgery by Patricia Highsmith (Heinemann, 1969)
The Tremor of Forgery by Patricia Highsmith (Heinemann, 1969)
. . . . . . . . . .
Craig Dodd
The Dame by Richard Stark, alias Donald E. Westlake (Hodder & Stoughton, 1969)
. . . . . . . . . .
A. S. Douthwaite
The Spy's Bedside Book by Graham Greene and Hugh Greene (Rupert Hart-Davis, 1957)
. . . . . . . . . .
John Dugan
Time Right Deadly by Sarah Gainham (Arthur Barker, 1956)
The Mythmaker by Sarah Gainham (Arthur Barker, 1957)
. . . . . . . . . .
Peter Edwards
The Power and the Glory by Graham Greene (Heinemann, 1959): Library Edition of the Works of Graham Greene, L1
Stamboul Train by Graham Greene (Heinemann, 1959): Library Edition of the Works of Graham Greene, L3
The End of the Affair by Graham Greene (Heinemann, 1959): Library Edition of the Works of Graham Greene, L4; image courtesy Martina Weatherley
The Heart of the Matter by Graham Greene (Heinemann, 1959): Library Edition of the Works of Graham Greene, L5
It's a Battlefield by Graham Greene (Heinemann, 1959): Library Edition of the Works of Graham Greene, L6; image courtesy Chris Fisher
England Made Me by Graham Greene (Heinemann, 1960): (Heinemann, 1959): Library Edition of the Works of Graham Greene, L7; image courtesy Martina Weatherley
The Ministry of Fear by Graham Greene (Heinemann, 1960): Library Edition of the Works of Graham Greene, L8
The Man Within by Graham Greene (Heinemann, 1960): Library Edition of the Works of Graham Greene, L9
A Gun for Sale by Graham Greene (Heinemann, 1959): Library Edition of the Works of Graham Greene, L10; image courtesy Chris Fisher
The Confidential Agent by Graham Greene (Heinemann, 1960): Library Edition of the Works of Graham Greene, L11
The Lawless Roads by Graham Greene (Heinemann, 1960): Library Edition of the Works of Graham Greene, L12; image courtesy Henk Konings.
The Quiet American by Graham Greene (Heinemann, 1960): Library Edition of the Works of Graham Greene, L13
. . . . . . . . . .
A. H. Eisner
Dead Man Falling by Desmond Cory (Frederick Muller, 1953)
. . . . . . . . . .
. . . . . . . . . .
Oliver Elmes
Assassins Road by Simon Harvester (Jarrolds , 1965)
Lacey Everett
A Burnt-Out Case by Graham Greene (Heinemann, 1961)
. . . . . . . . . .
Kenneth Farnhill
Hunting the Bismarck by C. S. Forester (Michael Joseph, 1959)
Flush as May by P. M. Hubbard (Michael Joseph, 1963)
Picture of Millie by P. M. Hubbard (Michael Joseph, 1964)
Picture of Millie by P. M. Hubbard (Michael Joseph, 1964)
Third Girl by Agatha Christie (Collins, 1966); cover courtesy Rachel Day
Endless Night by Agatha Christie (Collins, 1967); cover courtesy Rachel Day
By the Pricking of My Thumbs by Agatha Christie (Collins, 1968); cover courtesy Rachel Day
. . . . . . . . . .
Klim Forster
Feramontov by Desmond Cory (Frederick Muller, 1966)
. . . . . . . . . .
Henry Fox
Dragon Road by Simon Harvester (Jarrolds, 1956)
. . . . . . . . . .
Patrick Gierth
. . . . . . . . . .
John Strickland Goodall
Rat Trap Island by P. M. Hubbard (Cassell, 1964)
. . . . . . . . . .
Charles Gorham
Towards the End of the Morning by Michael Frayn (Collins, 1967)
. . . . . . . . . .
Graphics Partners
The Blackbird by Richard Stark, alias Donald E. Westlake (Hodder & Stoughton, 1970)
. . . . . . . . . .
Donald Green
Our Man in Havana by Graham Greene (Heinemann, 1958)
The General by C. S. Forester (Michael Joseph, 1958 re-set; first published 1936) NB: credited to "Ronald" Green on jacket flap, but "DG" initials on cover suggest it is indeed by Donald Green
Alas, Babylon by Pat Frank (Constable, 1959)
Most Unnatural Murder by Fiona Sinclair (Geoffrey Bles, 1965)
The Tower by P. M. Hubbard (Geoffrey Bles, 1967)
. . . . . . . . . .
Roger Harris
Die Rich Die Happy by James Munro (Hammond, 1965)
Dark Blood, Dark Terror by Brian Cleeve (Hammond, 1966)
The Judas Goat by Brian Cleeve (Hammond, 1966)
. . . . . . . . . .
Simon Harvester
Unsung Road by Simon Harvester (Jarrolds, 1960)
. . . . . . . . . .
Michael Harvey
To Catch a Spy by Eric Ambler et al (The Bodley Head, 1964)
. . . . . . . . . .
John Heseltine
The Golden Rendezvous by Alistair MacLean (Collins, 1962); image courtesy Mike Ripley
Ice Station Zebra by Alistair MacLean (Collins, 1963)
. . . . . . . . . .
Ionicus (Joshua Charles Armitage)
The Lonely Side of the River by Donald MacKenzie (Hodder & Stoughton, 1965)
. . . . . . . . . .
Ivan Lapper
A Hive of Glass by P. M. Hubbard (Michael Joseph, 1965)
. . . . . . . . . .
. . . . . . . . . .
Bryan Lubrani
The Volcanoes of San Domingo by Adam Hall (Collins, 1963), plus original jacket artwork
Gavin Lyall
The Wrong Side of the Sky by Gavin Lyall (Hodder & Stoughton, 1961)
. . . . . . . . . .
Christopher Macartney-Filgate
The Stone Roses by Sarah Gainham (Eyre & Spottiswoode, 1958)
. . . . . . . . . .
Robert MacLean
A Life for the Stars by James Blish (Faber, 1964)
. . . . . . . . . .
Denis McLoughlin
Trilogy in Jeopardy by Henry Kane (T. V. Boardman, 1955)
Hong Kong Kill by Bryan Peters, alias Peter George (T. V. Boardman, 1958)
A Man from the Past by Andrew MacKenzie (T. V. Boardman, 1958)
The Missile by Andrew MacKenzie (T. V. Boardman, 1959)
The Missile by Andrew MacKenzie (T. V. Boardman, 1959)
The Doom-Maker by B. X. Sanborn, alias Bill S. Ballinger (T. V. Boardman, 1959)
Epitaph for a Blonde by Ian Mercer (T. V. Boardman, 1960)
Epitaph for a Blonde by Ian Mercer (T. V. Boardman, 1960)
The Mercenaries by Donald E. Westlake (T. V. Boardman, 1961)
The Time of Terror by Lionel White (T. V. Boardman, 1961)
Killing Time by Donald E. Westlake (T. V. Boardman, 1962)
361 by Donald E. Westlake (T. V. Boardman, 1962)
The Siamese Coup Affair by Sidney Weintraub (T. V. Boardman, 1963)
Amateur Agent by Christopher Adams, alias Kenneth Hopkins (T. V. Boardman, 1964)
Amateur Agent by Christopher Adams, alias Kenneth Hopkins (T. V. Boardman, 1964)
Killy by Donald E. Westlake (T. V. Boardman, 1964)
The Fugitive Pigeon by Donald E. Westlake (T. V. Boardman, 1966)
The Busy Body by Donald E. Westlake (T. V. Boardman, 1966)
The Busy Body by Donald E. Westlake (T. V. Boardman, 1966)
. . . . . . . . . .
Mick & Ging
Game Without Rules by Michael Gilbert (Hodder & Stoughton, 1968); illustrations by Michael Dempsey (left) and Richard Tilley (right)
. . . . . . . . . .
John Minton
The Illustrated Man by Ray Bradbury (Rupert Hart-Davis, 1952)
. . . . . . . . . .
M. Mohan
The Glass Cell by Patricia Highsmith (Heinemann, 1965)
. . . . . . . . . .
Charles Mozley
The Loving Eye by William Sansom (The Hogarth Press, 1956); cover courtesy Rachel Day
The Bell by Iris Murdoch (Chatto & Windus, 1958); cover courtesy Rachel Day
. . . . . . . . . .
Eric Mudge-Marriott
Brain Wave by Poul Anderson (Heinemann, 1955)
Time and Again by Clifford D. Simak (Heinemann, 1956)
. . . . . . . . . .
Leslie Needham
The Light of Day by Eric Ambler (Heinemann, 1962)
. . . . . . . . . .
Joe Mugnaini
The Golden Apples of the Sun by Ray Bradbury (Rupert Hart-Davis, 1953)
The Day It Rained Forever by Ray Bradbury (Rupert Hart-Davis, 1959)
. . . . . . . . . .
Edward Pagram
Crime of Silence by Patricia Carlon (Hodder & Stoughton, 1965)
. . . . . . . . . .
Sheila Perry
Watcher in the Shadows by Geoffrey Household (Michael Joseph, 1960); image courtesy Mike Ripley
. . . . . . . . . .
Bruce Petty
Pray for a Brave Heart by Helen MacInnes (Collins, 1955)
. . . . . . . . . .
Peter Probyn
Time is an Ambush by Francis Clifford (Hodder & Stoughton, 1962)
The Green Fields of Eden by Francis Clifford (Hodder & Stoughton, 1963)
The Hunting-Ground by Francis Clifford (Hodder & Stoughton, 1964)
The Hunting-Ground by Francis Clifford (Hodder & Stoughton, 1964)
. . . . . . . . . .
William Randell
A Question of Time by Harry Carmichael (Collins, 1958)
. . . . . . . . . .
Victor Reinganum
Nuncle and Other Stories by John Wain (Macmillan, 1960)
. . . . . . . . . .
Ian Robertson
Where Eagles Dare by Alistair MacLean (Collins, 1967)
. . . . . . . . . .
John Rose
H.M.S. Ulysses by Alistair MacLean (Collins, 1955); image courtesy Mike Ripley
The Watering Place of Good Peace by Geoffrey Jenkins (Collins, 1960); image courtesy Mike Ripley
. . . . . . . . . .
Evadne Rowan
Ti-Coyo and His Shark by Clement Richer (Rupert Hart-Davis, 1951)
. . . . . . . . . .
John Rowland
The Killing-Ground by Elleston Trevor (Heinemann, 1956)
On the Beach by Nevil Shute (Heinemann, 1957)
. . . . . . . . . .
Peter Rudland
The Tall Dark Man by Anne Chamberlain (Rupert Hart-Davis, 1955)
A Cold Coming by Mary Kelly (Secker & Warburg, 1956)
. . . . . . . . . .
Stephen Russ
Sometime Never by Roald Dahl (Collins, 1949)
. . . . . . . . . .
Brian Russell
Undertow by Desmond Cory (Frederick Muller, 1962)
At Bertram's Hotel by Agatha Christie (Collins, 1965); cover courtesy Rachel Day
The Tin Men by Michael Frayn (Collins, 1965)
. . . . . . . . . .
Jim Russell
Alfred Hitchcock's Sinister Spies by various (Max Reinheardt, 1967)
. . . . . . . . . .
Roy Sanford
The Silver Locusts (The Martian Chronicles) by Ray Bradbury (Rupert Hart-Davis, 1951)
The Night of the Hunter by Davis Grubb (Hamish Hamilton, 1954)
. . . . . . . . . .
Derrick Sayer
Peregrination 22 by Philip Purser (Jonathan Cape, 1962); images courtesy Mike Ripley
. . . . . . . . . .
John Sewell
Anatomy of a Killer by Peter Rabe (Abelard-Schuman, 1960)
. . . . . . . . . .
. . . . . . . . . .
Carol Smith
God Save the Mark by Donald E. Westlake (Michael Joseph, 1968)Stein
Deep Water by Patricia Highsmith (Heinemann, 1958)
A Game for the Living by Patricia Highsmith (Heinemann, 1959)
. . . . . . . . . .
Abis/Stribley/Sida
Timelock by Desmond Cory (Frederick Muller, 1967)
. . . . . . . . . .
Ray Theobald
The Head by Desmond Cory (Frederick Muller, 1960)
. . . . . . . . . .
Michael Trevithick
Dance of the Dwarfs by Geoffrey Household (Michael Joseph, 1968)
. . . . . . . . . .
Hugh Walker
The Accomplices by Leonard Cooper (Cresset Press, 1960)
. . . . . . . . . .
Barbara Walton
The Pass Beyond Kashmir by Berkely Mather (Collins, 1960)
The Zebra-Striped Hearse by Ross Macdonald (Collins, 1963)
Vote X for Treason by Brian Cleeve (Collins, 1964)
Count Not the Cost by Ian Mackintosh (Robert Hale, 1967)
The Man from Destiny by Ian Mackintosh (Robert Hale, 1969)
. . . . . . . . . .
Eileen Walton
H. T. Watts
Calamity in Kent by John Rowland (Herbert Jenkins, 1950)
. . . . . . . . . .
Jack Whitsett
This Sweet Sickness by Patricia Highsmith (Heinemann, 1961)
. . . . . . . . . .
Brian Wildsmith
Fellow Passenger by Geoffrey Household (Michael Joseph, 1955)
White August by John Boland (Michael Joseph, 1955)
. . . . . . . . . .
Alan Williams
Snake Water by Alan Williams (Anthony Blond, 1965); jacket designed by author; images courtesy Mike Ripley
. . . . . . . . . .
Designer Unknown
The Dashiell Hammett Omnibus (Cassell, 1950)
Honour the Shrine by Francis Clifford (Jonathan Cape, 1953)
The Blunderer by Patricia Highsmith (Cresset Press, 1956)
Be Shot for Sixpence by Michael Gilbert (Hodder & Stoughton, 1956)
Pursuit Through Time by Jonathan Burke (Ward, Lock, 1956)
The Talented Mr. Ripley by Patricia Highsmith (Cresset Press, 1957); facsimile dust jacket
The Cold Dark Night by Sarah Gainham (Arthur Barker, 1957)
Slow Burner by William Haggard (Cassell, 1958)
Venetian Blind by William Haggard (Cassell, 1959)
Passage of Arms by Eric Ambler (Heinemann, 1959)
The Man Who Sold Death by James Munro (Hammond, 1964)
Midnight Plus One by Gavin Lyall (Hodder & Stoughton, 1965)
Shooting Script by Gavin Lyall (Hodder & Stoughton, 1966)
Black Money by Ross Macdonald (Collins, 1966)
A British author whose book covers (during the 1950s) are displayed is Desmond Cory at:
ReplyDeletehttp://www.desmondcory.com/Gallery/Desmond__Cory__Book_Gallery_-_1950s1.htm
I notice you selected the cover to his first novel already, 'Secret Ministry', but for my money 'This Traitor, Death" or "This is Jezebel" are the best.
You can see the covers in full glory by simply clicking on them on the above url.
There is also something very nice about "Pilgrim at the Gate" that captures the Cold War spirit with simple design at
http://www.desmondcory.com/Gallery/Desmond__Cory__Book_Gallery_-_1950s2.htm
In contrast if you look at many British book covers of the 1960s when they used photography more, you see a big deterioration in the quality of the covers:
http://www.desmondcory.com/Gallery/Desmond_Cory_Book_Gallery_-_1960s3.htm
I hope you select "This Traitor, Death" to add to your gallery.
I'm more than familiar with the covers on the Desmond Cory site, Ricardo, and I do have a couple of other Cory jackets waiting in the wings to be added – not the ones you mention, unfortunately, as I don't have those yet, but the ones I do have are very nice examples of 50s Cory cover art...
ReplyDeleteI appreciate the effort you took in presenting this. I have a slow internet connection, however, and it took *forever* to load this single page. It would have been nice if you spread the images out over several pages or perhaps used thumbnails. Thanks for the "gallery."
ReplyDeleteApologies for the slow load, Anonymous, but there's not much I can do about that. The point of the page is to gather the best of the disparate covers scattered about the rest of the blog in one place, but you can still find many of them in their original posts (those that I've blogged about, that is). Use the "search" box just under the permanent link to the page from the main blog, and you'll be able to see many of the jackets in individual blog posts. Glad you enjoyed the gallery, though – once it actually loaded!
ReplyDeleteVery interesting selection, some of which I remember, and one or two I even read at the time.
ReplyDeleteYou and Margaret Atwood both, mater!
ReplyDeleteInteresting that you think it worth noting that Tucker Coe is a pseudonym of Westlake, but not Richard Stark! A foolish consistency may be the hobgoblin of small minds, but a mindful consistency is the friend of bibliographers everywhere.
ReplyDeleteThat said, there's lovely design work there. For a little more on the breadth of design, might I ask for one of the Gollancz yellow jackets (some interesting typography on e.g. the Kenneth Giles thrillers)? One doesn't need many (they're all so similar) but a sample would be nice. I'd send you a scan of Margery Lawrence's Master of Shadows but mine has some smoke damage -- it's a really lovely Dali-esque picture signed "Biro". Thanks for some amusing moments!
Just looked it up, Tom – very nice. That'll be Val Biro, a designer already heavily featured on this page, and who you'll find a number of posts about on the main Existential Ennui blog; just click on his tag in the right hand column.
ReplyDeleteYou have a point on Richard Stark, but I've written about Westlake and Stark so many times, not just on EE (again, click on their tags) but over on The Violent World of Parker, where I'm co-blogger, I guess I just didn't think there'd be anyone reading EE who DIDN'T know Westlake was Stark. But on reflection, the Beautiful British Book Jacket page has received well over 7,000 hits now, many of whom I expect haven't visited the main EE blog itself. So for those folk, it's not a bad idea to make the connection plain, which I'll do as soon as I finish typing this.
Interesting idea on the Gollancz jackets too. I do have a good number of those, some of which I may well add to the gallery. Thanks for the suggestion!
I can't say enough about the fantastic work that you do over here on EE (and VWOP). This new 100 covers page really brings together some beautiful illustration and design that could very easily be lost without folks like you highlighting it.
ReplyDeleteI'm envious of your collection and would love to see another 100 hardcovers although I must admit that I am preferential to paperback covers of the era. I think a page featuring paperbacks would be great especially for us North Americans who don't get to see too many of the British editions.
Cheers, Jason! Interesting idea on a British paperback page. It's an area that Steve Holland's covered fairly extensively on his Bear Alley site, but I might be able to offer something different. I'll have a think.
ReplyDeleteVery good Jason, there are some crackers there. Some are definitely 'of their time' but others quite timeless. Not sure about Graham Greene' "A Burnt-out Case" though on account of the typography.... how could they put the line break there?
ReplyDeleteI have just been made aware of this collection and am very happy because Brian Russell was my uncle. Very sadly he was killed in a car accident aged 33; a terrible loss to us as a family, and also a waste of an wonderful talent. I am fortunate to own a small collection of his work.Thank you!
ReplyDeleteNo, thank you for leaving a comment, Allison. Very sad indeed that Brian lost his life at such a young age; from the evidence I've seen he was indeed a talented chap.
ReplyDeleteThis work reminds me of the Jonathan Cape publications of Ernest Hemingway's works, namely Fiesta, The Old Man and The Sea, To Have And Have Not, and Across The River and Into The Trees. I cannot for the life of me find the cover artist of those editions and it's driving me crazy!
ReplyDeleteHans Tisdall designed a lot of the Cape Hemingways – could it have been him? (Nick)
Delete