
God knows what Michael Winterbottom's film will be like. Apparently it's faithful, right down to a period setting (the 1950s), so I can see why, reportedly, there were walk-outs at one screening. The Killer Inside Me isn't a novel I'll soon forget, and not in a good way. Then again, maybe that was Thompson's aim, like Michael Haneke's stern cinematic lectures (Benny's Video, Funny Games, etc.): to confront the reader (or viewer) with something so vile they question their motives in reading (or watching) it.
Of course, as with Haneke, that's likely a simplistic reading. As with Haneke's films, I think there's a lot more going on in The Killer Inside Me than mere finger-wagging, although I'm not sure what yet. One to digest, then.
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